In 2012 I wrote:
Of late, on several Catholic College campuses it has been possible to attend a performance of Eve Ensler’s Vagina Monologues, a play which, among “celebrations” of the female experience of the vagina, contains a “romantic” scene, where a 24-year-old woman seduces a 13-year-old girl. The woman invites the girl into her car, takes her to her house, supplies her with vodka, and seduces her, calling the experience “a kind of heaven.” (One wonders what outcry would occur if priests with same-sex attractions were to come to the defense of the play).
It is surely reasonable to argue that these phenomena are the result of a turning away from traditional Catholic sexual moral teaching, revealed by God for our health and well-being. This rebellion has as its fruit not “liberation” but widespread suffering: the spiraling number of STDs, the millions of abortions, unintended sterility, global pornography, the sex trade, the vast increase in rape and child abuse, promiscuity’s threats to marriage and family, and the hundreds of thousands of victims of AIDS. A sagacious observation on the infamous 1960s sums it up nicely: “I think it would be difficult to find a single decade in the history of Western culture when so much barbarism — so much calculated onslaught against culture and convention in any form, and so much sheer degradation of both culture and the individual — passed into print, into music, into art and onto the American stage as the decade of the Nineteen Sixties.”
In the United States, the 1960s marked the beginning of a breakdown in sexual mores and a rise in family disruption, joined with a culture of dissent as many tried to rationalize deviations from traditional morality. We witnessed a massive social experiment linked to genuine progress for which the Church was not prepared — discrimination against African-Americans and women was coming to an end, and Catholics were ever-increasingly undergoing assimilation into contemporary culture. As a result, Catholics began placing their spiritual lives in one compartment and their daily activities in the secular arena in another, commencing to treat their Catholic faith as an entirely private matter, open to a “pick-and-choose” approach to doctrine. Many theologians, religious educators and clergy succumbed to the same inducement. So it was hard for the doctrinal teaching of Vatican II to be heard; what did get through was often not the true council, but a “spirit” of Vatican II.
And now we read that soon Catholic colleges and universities will be hosting productions of The Vagina Monologues or have officially recognized student groups that are performing the play in 2014. Are these truly Catholic institutions of higher learning? I, for one, think not.